Bibliographies on Langer

Dryden, Donald. ‘Susanne K. Langer 1895–1985’. In American Philosophers before 1950, edited by P. B. Dematteis and L. B. McHenry, 189–99. Dictionary of Literary Biography 270. Farmington Hills, MI: Gale, 2003. [here]

Lachmann, Rolf. ‘Susanne K. Langer: Primary and Secondary Bibliography’. Studie Culturologica, no. 2 (1993): 91-114. [here]

*Special Thanks to Rolf Lachmann for his extensive bibliography and invaluable contribution and to Adrienne Dengerink Chaplin for her work towards the creation of the “Other Works on Langer.”

Other Works

Agarwal, Bipin K. ‘Langer, Hildebrand, and Space in Art’. Journal of Aesthetics and Art Criticism 31, no. 4 (1 July 1973): 513–16. [here]

Ahlberg, Lars-Olof. ‘Susanne Langer on Representation and Emotion in Music’. British Journal of Aesthetics 34, no. 1 (1994): 69–80. [here]

Auxier, Randall E. ‘Ernst Cassirer (1874–1945) & Suzanne Katherina (Knauth) Langer (1895–1985)’. In Handbook of Whiteheadian Process Thought, Vol. 2, edited by Michel Weber and Will Desmond, 554–72. Frankfurt: Ontos Verlag, 2009. [here]

Auxier, Randall E. ‘Susanne Langer on Symbols and Analogy: A Case of Misplaced Concreteness?’ Process Studies 26 (1998): 86–106. [here]

AZEVEDO JÚNIOR, Ivanio Lopes; AMARAL, Ilana Viana do. O estatuto da música tonal em Susanne Langer. Argumentos – Revista de Filosofia/UFC. Fortaleza, ano 12, n. 23, jan.-jun. 2020. Disponível em: <https://doi.org/10.36517/Argumentos.23.3>. Available in: <http://periodicos.ufc.br/argumentos/article/view/42271>.

Baylis, Charles A. ‘Book Review: The Practice of Philosophy’. Journal of Philosophy 28, no. 12 (1931): 326–9. [here]

Baylis, Charles A. ‘Review of: An Introduction to Symbolic Logic’. Journal of Symbolic Logic 3, no. 2 (1 June 1938): 83. [here]

Beardsley, M.C. Aesthetics: Problems in the Philosophy of Criticism, New York: Harcourt, Brace and Company, 1958. Second Edition Cambridge: Hacket Publishing, 1981. [here]

Berndtson, Arthur. ‘Semblance, Symbol, and Expression in the Aesthetics of Susanne Langer’. Journal of Aesthetics and Art Criticism 14, no. 4 (1 June 1956): 489–502. [here]

Berthoff, Ann E. ‘Susanne K. Langer and “The Odyssey of the Mind”’. Semiotica 128, no. 1–2 (January 2000): 1–34. [here]

Berthoff, Ann E. ‘Susanne K. Langer and the Process of Feeling’. In The Mysterious Barricades: Language and Its Limits, pp. 112–24. Toronto: University of Toronto Press, 1999. [here]

Bertocci, Peter A. ‘Susanne K. Langer’s Theory of Feeling and Mind’. Review of Metaphysics 23, no. 3 (1 March 1970): 527–51. [here]

Binkley, Timothy. ‘Langer’s Logical and Ontological Modes’. Journal of Aesthetics and Art Criticism 28, no. 4 (1 July 1970): 455–64. [here]

Black, David W. ‘The Vichian Elements in Susanne Langer’s Thought’. New Vico Studies 3 (1985): 113–18. [here]

Brentari, Carlo. La Nascita Della Coscienza: Simbolica : L’antropologia Filosofica Di Susanne Langer. Trento: Università deglistudi di Trento, 2007. [here]

Browning, Margaret M. ‘Neuroscience and Imagination: The Relevance of Susanne Langer’s Work to Psychoanalytic Theory’. Psychoanalytic Quarterly 75, no. 4 (October 2006): 1131–59. [here]

Browning, Margaret M. ‘The Import of Feeling in the Organization of Mind’ in Psychoanalytic Psychology, Vol. 33, No. 2 (2016), pp. 284–298 [here]

Browning, Margaret M.  ‘Our Symbolic Minds: What Are They Really?’ in The Psychoanalytic Quarterly, Vol. 88, No. 1 (2019), pp. 25-52 [here]

Budd, M. Music and the Emotions, London: Routledge, 1985. [here]

Bufford, Samuel. ‘Susanne Langer’s Two Philosophies of Art’. Journal of Aesthetics and Art Criticism 31, no. 1 (1 October 1972): 9–20. [here]

Campbell, James. ‘Langer’s Understanding of Philosophy’. Transactions of the Charles S. Peirce Society 33, no. 1 (1 January 1997): 133–47. [here]

Carter, Curtis L. ‘After Cassirer: Art and Aesthetic Symbols in Langer and Goodman’. In The Philosophy of Ernst Cassirer: A Novel Assessment, edited by J. Tyler Friedman and Sebastian Luft, 401–18. Berlin: Walter de Gruyter, 2015. [here]

Carter, Curtis L. ‘Langer and Hofstadter on Painting and Language: A Critique’. Journal of Aesthetics and Art Criticism 32, no. 3 (1 April 1974): 331–42. [here]

Colapietro, Vincent. ‘Susanne Langer on Artistic Creativity and Creations’. In Semiotics, edited by John Deely and C. W. Spinks, 3–12. New York: Peter Lang, 1997. [here]

Colapietro, Vincent. ‘Symbols and the Evolution of Mind: Susanne Langer’s Final Bequest to Semiotics’. In Semiotics, edited by John Deely and C. W. Spinks, 61–70. New York: Peter Lang, 1998. [here]

Curran, Trisha. A New Note on the Film: A Theory of Film Criticism Derived from Susanne K. Langer’s Philosophy of Art. New York: Arno Press, 1980. [here] [print copy- here]

Danto, Arthur C. ‘Foreword to Mind: An Essay on Human Feeling by Susanne K. Langer’. In Mind: An Essay on Human Feeling by Susanne K. Langer, edited by Gary Van Den Heuvel. Baltimore, MD: Johns Hopkins University Press, 1988. [copy of this edition- here]

Danto, Arthur C. ‘Mind as Feeling; Form as Presence; Langer as Philosopher’. Journal of Philosophy 81, no. 11 (1 November 1984): 641–7. [here]

Davies, S. Musical Meaning and Expression, Ithaca and London: Cornell University Press, 1994. [here]

Amilcar de Castro, Lygia Clark, Ferreira Gullar, Reynaldo Jardim, Claudio Mello e Souza, Lygia Pape, Theon Spanudis, Franz Weissmann. Neo-Concrete Manifestro. (Brazil 1958) – [here]

Demartis, Lucia. L’estetica Simbolica Di Susanne Katherina Langer. Italy: Centro internazionale studi di estetica, 2004. [here]

Dengerink Chaplin, Adrienne. ‘Feeling the Body in Art: Embodied Cognition and Aesthetics in Mark Johnson and Susanne K. Langer’. Sztuka I Filozofia/Art and Philosophy, no. 48 (2016): 5–11.

Dengerink Chaplin, Adrienne. ‘Susanne Langer (1895–1985)’. In Vrouwelijke Filosofen: Een Historisch Overzicht, edited by Carolien Ceton, 369–74. Amsterdam: Uitgeverij Atlas, 2012.

Dengerink Chaplin, Adrienne. The Philosophy of Susanne Langer: Embodied Meaning in Logic, Art, and Feeling, London: Bloomsbury Academic, 2019. (link to book launch) [here]

Detweiler, Robert. ‘Langer and Tillich: Two Backgrounds of Symbolic Thought’. The Personalist 46, no. 2 (April 1965): 171–92. [here]

Dryden, Donald. ‘The Philosopher as Prophet and Visionary: Susanne Langer’s Essay on Human Feeling in the Light of Subsequent Developments in the Sciences’. Journal of Speculative Philosophy 21, no. 1 (2007): 27–43. [here]

Dryden, Donald. ‘Susanne K. Langer and American Philosophic Naturalism in the Twentieth Century’. Transactions of the Charles S. Peirce Society 33, no. 1 (1 January 1997): 161–82. [here]

Dryden, Donald. ‘Susanne Langer and William James: Art and the Dynamics of the Stream of Consciousness’. Journal of Speculative Philosophy, New Series, 15, no. 4 (1 January 2001): 272– 85. [here]

Dryden, Donald. ‘Susanne K. Langer 1895–1985’. In American Philosophers before 1950, edited by P. B. Dematteis and L. B. McHenry, 189–99. Dictionary of Literary Biography 270. Farmington Hills, MI: Gale, 2003. [here]

Dryden, Donald. ‘Susanne K. Langer 1895–1985: A Short Biography.’ Expanded, Annotated Version, 1-25. Department of Philosophy, Duke University, 2007. [here]

Dryden, Donald. ‘Whitehead’s Influence on Susanne Langer’s Conception of Living Form,’ Process Studies 26, no. 1–2 (1997): 62–85. [here]

Feigl, Herbert. ‘Review of: An Introduction to Symbolic Logic’. American Journal of Psychology 51, no. 4 (October 1938): 781. [here]

Felappi, Giulia. ‘Susanne Langer and the Woeful World of Facts’. Journal for the History of Analytical Philosophy 5, no. 2 (2017): 38–50. [here]

Gardner, Howard. ‘Philosophy in a New Key Revisited: An Appreciation of Susanne Langer’. In Art, Mind, and the Brain: A Cognitive Approach to Creativity, 48–54. New York: Basic Books, 1982. [here]

Ghosh, Ranjan K. Aesthetic Theory and Art: A Study in Susanne K. Langer. Delhi: Ajanta Books International, 1979. [here]

Ghosh, Ranjan K. ‘The Alleged Duality in Susanne Langer’s Aesthetics’. Indian Philosophical Quarterly 7 (July 1980): 501–11. [here]

Ghosh, Ranjan K. ‘Susanne K Langer’s Aesthetics of Painting and Some Indian Art’. Indian Philosophical Quarterly 4 (April 1977): 297–304. [here]

Ghosh, Ranjan K. ‘Art as Dramatization and the Indian Tradition’. Journal of Aesthetics and Art Criticism Vol. 61, No. 3 (Summer 2003): 293-295. [here]

Gibson, A. ‘The Rhetoric of Abstract Expressionism’ in Landau, E.G. Reading Abstract Expressionism: Context and Critique (New Haven, 2005): 442-86. [here]

Gill, Jerry H. ‘Langer, Language, and Art’. International Philosophical Quarterly 34, no. 4 (December 1994): 419–32. [here]

GONTIJO OLIVEIRA, Clovis Salgado. Expressão ou autoexpressão na criação artística: um diálogo entre Nise da Silveira e Susanne K. Langer. PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG, Belo Horizonte, v. 13, n. 27, p. 296–324, 2023. DOI: 10.35699/2237-5864.2023.41075. Available in: https://periodicos.ufmg.br/index.php/revistapos/article/view/41075.

GONTIJO OLIVEIRA, Clovis Salgado. Para além do literal:: a arte como ampliação do humano em Susanne Langer. Philósophos – Revista de Filosofia, Goiânia, v. 25, n. 2, 2021. DOI: 10.5216/phi.v25i2.64728. Available in: https://revistas.ufg.br/philosophos/article/view/64728. Acesso em: 22 out. 2024.

Grueny, Christian (ed.). Journal Phänomenologie 45 (2016): Susanne K. Langer – Fühlen und Form. [here]

Grueny, Christian. ‘Susanne K. Langer: Denken in neuer Tonart’. Journal Phänomenologie 45 (2016): S. 4-19. [here]

Grueny, Christian. ‘System und Tonart. Zur Rolle der Kunst bei Ernst Cassirer und Susanne K. Langer’ Journal Phänomenologie 42 (2015): 65-77. [here]

Guczolski, Krzysztof. ‘Phenomenology and Analytic Aesthetics of Music: On the Views of Susanne Langer and Roman Ingarden’. Nordisk Estetisk Tidskrift 23 (2001): 27–38. [here]

Guczolski, Krzysztof. Znaczenie muzyki: znaczenia w muzyce: próba ogólnej teorii na tle estetyki Susanne Langer. Krakow: Musica Iagellonica, 1999. [here]

Gulick, Walter B. ‘Polanyi and Langer: Toward a Reconfigured Theory of Knowing and Meaning’. Tradition and Discovery: The Polanyi Society Periodical 36, no. 1 (2010): 21–37. [here]

Hagberg, Garry. ‘Art and the Unsayable: Langer’s Tractarian Aesthetics’. British Journal of Aesthetics 24, no. 4 (1984): 325–40. [here]

Hansen, Forest. ‘Langer’s Expressive Form: An Interpretation’. Journal of Aesthetics and Art Criticism 27, no. 2 (Winter 1968): 165–70. [here]

Hansen, Forest. ‘Review of: Mind: An Essay on Human Feeling I’. Notes 24, no. 4 (1968): 704. [here]

Hart, Richard E. ‘Langer’s Aesthetics of Poetry’. Transactions of the Charles S. Peirce Society 33, no. 1 (1 January 1997): 183–200. [here]

Heine, Susanne. ‘Die Erfüllung der Religion im philosophischen Denken: Susanne K. Langer’s ontologisches Naturverständniss’. In Naturalisierung des Geistes und Symbolisierung des Fühlens: Susanne K. Langer im Gespräch der Forschung, edited by Cornelia Richter, 177–207. Marburg: Tectum-Verlag, 2008. [here]

Hobbs, R. ‘Whitehead’s Process and Susanne Langer’s Symbol’ in Hobbs, R. Robert Motherwell, Abstraction, and Philosophy (2020): 75-83 [here].

Hopkins, R. ‘Sculpture’ in Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press. pp. 572-582 (2003) [here]

Hopkins, R. ‘Sculpture and Space’ in Matthew Kieran & Dominic Lopes (eds.), Imagination, Philosophy, and the Arts, London: Routledge (2003): 272-290 [here]

Innis, Robert E. ‘Art, Symbol and Consciousness: A Polanyi Gloss on Susan Langer and Nelson Goodman’. International Philosophical Quarterly 17 (December 1977): 455–76. [here]

Innis, Robert E. ‘Between Articulation and Symbolization: Framing Polanyi and Langer’. Tradition and Discovery: The Polanyi Society Periodical 36, no. 1 (2010): 8–20. [here]

Innis, Robert E. ‘The Making of the Literary Symbol: Taking Note of Langer’. Semiotica, no. 165 (19 June 2007): 91–106. [here]

Innis, Robert E. ‘Peirce’s Categories and Langer’s Aesthetics: On Dividing the Semiotic Continuum’. Cognitio 14, no. 1 (January/June 2013): 35–50. [here]

Innis, Robert E. ‘Placing Langer’s Philosophical Project’. Journal of Speculative Philosophy 21, no. 1 (2007): 4–15. [here]

Innis, Robert E. ‘Symposium on Susanne K. Langer: Introduction’. Journal of Speculative Philosophy 21, no. 1 (2007): 1–3. [here]

Jeunhomme, J. ‘The Symbolic Philosophy of Susanne K. Langer’. Neue Zeitschrift Fur Systematische Theologie Und Religionsphilosophie 27, no. 1 (1 January 1985): 159–76. [here]

Johnson, James R. ‘The Unknown Langer: Philosophy from the New Key to the Trilogy of Mind’. Journal of Aesthetic Education 27, no. 1 (April 1993): 63–73. [here]

Julliard, Kell N., and Gary Van Den Heuvel. ‘Susanne K. Langer and the Foundations of Art Therapy’. Art Therapy 16, no. 3 (1999): 112–20. [here]

King, Kenneth. ‘Battery: A Tribute to Susanne K. Langer’. Dance Magazine 50 (1976): 23–4. [here]

Kivy, P. The Corded Shell: Reflections on Musical Expression, Princeton, NJ. 1980. [print copy- here]

Kominek-Karolak, Maria. ‘Hermeneutyka muzyki Susanne K. Langer’. Sztuka I filozofia/Art and Philosophy 48 (2016): 46–55. [here]

Kösters, Barbara. Gefühl, Abstraktion, symbolische Transformation: zu Susanne Langers Philosophie des Lebendigen. Frankfurt am Main: Peter Lang, 1993. [print copy- here]

Kruse, Felicia E. ‘Emotion in Musical Meaning: A Peircean Solution to Langer’s Dualism’. Transactions of the Charles S. Peirce Society 41, no. 4 (1 October 2005): 762–78. [here]

Kruse, Felicia E. ‘Vital Rhythm and Temporal Form in Langer and Dewey’. Journal of Speculative Philosophy 21, no. 1 (2007): 16–26. [here]

Kulbyte, Agne. ‘Susanne K. Langer as a Romantic Thinker’. Sztuka I Filozofia/Art and Philosophy 48 (2016): 30–8. [here]

Lachmann, Rolf. ‘From Metaphysics to Art and Back: The Relevance of Susanne K. Langer’s Philosophy for Process Metaphysics’. Process Studies 26, no. 1–2 (January 1998): 107–25. [here]

Lachmann, Rolf. ‘Susanne K. Langer’s Notes on Whitehead’s Course on Philosophy of Nature’. Process Studies 26, no. 1–2 (1997): 126–50. [here]

Lang, Berel. ‘Langer’s Arabesque and the Collapse of the Symbol’. Review of Metaphysics 16, no. 2 (1962): 349–65. [here]

Lassner, Phyllis. ‘Bridging Composition and Women’s Studies: The Work of Ann E. Berthoff and Susanne K. Langer’. Journal of Teaching Writing 10, no. 1 (1991): 21–37. [here]

Liddy, Richard M. ‘Susanne K. Langer’s Philosophy of Mind’. Transactions of the Charles S. Peirce Society 33, no. 1 (1 January 1997): 149–60. [here]

Liddy, Richard M. ‘Symbolic Consciousness: The Contribution of Susanne K. Langer’. Proceedings of the American Catholic Philosophical Association 45 (1971): 94–103. [here]

Liddy, Richard M. ‘What Bernard Lonergan Learned from Susanne K. Langer’. Lonergan Workshop 11 (1995): 53–90. [here]

Lord, James. ‘Susanne Langer: A Lady Seeking Answers’. New York Times Book Review, 26 May 1968. [here]

Lyon, Arabella. ‘Susanne K Langer and the Rebirth of Rhetoric’. In Reclaiming Rhetorica: Women in the Rhetorical Tradition, edited by Andrea Lunsford, 266–84. Pittsburgh: University of Pittsburgh Press, 1995. [here]

Margolis, Joseph. ‘Review of: Feeling and Form’. Journal of Philosophy 52, no. 11 (26 May 1955): 291–6. [here]

McDaniel, Kris. ‘Ontology and Philosophical Methodology in the Early Susanne Langer’. In Innovations in the History of Analytical Philosophy, edited by Sandra Lapointe and Christopher Pinnock, 265–98. London: Palgrave Macmillan, 2017. [here]

McDermott, John J. ‘Symposium on Susanne K. Langer: A Foreword’. Transactions of the Charles S. Peirce Society 33, no. 1 (January 1997): 131–2. [here]

Mcgandy, Michael. ‘Communion and Its Limits: Expression and Communication in Susanne Langer’s Aesthetics’. Conference: A Journal of Philosophy and Theory 4, no. 1 (April 1993): 21–35.

Morawski, Stefan. ‘Art as Semblance’. Journal of Philosophy 81, no. 11 (1 November 1984): 654–63. [here]

Nagel, Ernest. ‘Review of: Philosophy in a New Key’. Journal of Philosophy 40, no. 12 (10 June 1943): 323–9.

Nelson, Beatrice K. ‘Susanne K. Langer’s Conception of “Symbol” – Making Connections through Ambiguity’. Journal of Speculative Philosophy, New Series 8, no. 4 (1 January 1994): 277–96. [here]

Neumayr, Agnes. Politik Der Gefühle: Susanne K. Langer Und Hannah Arendt. Innsbruck: Innsbruck University Press, 2009. [print copy- here]

Norton, R. ‘What Is Virtuality?’ in The Journal of Aesthetics and Art Criticism, Vol. 30, No. 4 (Summer, 1972), pp. 499-505 [here]

Oppenheimer, Jane. ‘Review of: Mind: An Essay on Human Feeling I’. Quarterly Review of Biology 49, no. 3 (1974): 279. [here]

Oppenheimer, Jane. ‘Review of: Mind: An Essay on Human Feeling III’. Quarterly Review of Biology 60, no. 3 (1985): 331–2. [here]

Osborne, Harold. ‘Susanne K. Langer’s Mind: An Essay on Human Feeling Vol. I: An Essay Review’. Journal of Aesthetic Education 18, no. 1 (Spring 1984): 81-89. [here] 89–91. [here]

Percy, Walker. ‘Symbol as Need’. Thought 29 no. 3 (1954): 381–90. Reprinted in The Message in the Bottle, 288–97. New York: Farrar, Strauss and Giroux, 1981. [here]

Polcari, Stephen. ‘Mark Rothko: Heritage, Environment, and Tradition’. Smithsonian Studies in American Art , Spring, 1988, Vol. 2, No. 2 (Spring, 1988): pp. 32-63. [here]

Price, Kingsley B. ‘Philosophy in a New Key: An Interpretation’. Philosophy of Music Education Review 1, no. 1 (1993): 34–43. [here]

Read, Herbert. ‘“Describing the Indescribable”, Review of: Mind: An Essay on Human Feeling Vol. I’. 32. Saturday Review, 15 July 1967. [here]

Reichling, Mary. ‘Susanne Langer’s Concept of Secondary Illusion in Music and Art’. Journal of Aesthetic Education 29, no. 4 (1 December 1995): 39–51. [here]

Reichling, Mary. ‘Susanne Langer’s Theory of Symbolism: An Analysis and Extension’. Philosophy of Music Education Review 1, no. 1 (1 April 1993): 3–17. [here]

Reichling, Mary. ‘A Woman Ahead of Her Time: The Langer Legacy’. Philosophy of Music Education Review 6, no. 1 (1 April 1998): 12–21. [here]

Reid, Louis Arnaud. ‘New Notes on Langer’. British Journal of Aesthetics 8, no. 4 (1 October 1968): 353–8. [here]

Reid, Louis Arnaud. ‘Review of: Philosophy in a New Key’. Mind, New Series, 54, no. 213 (1 January 1945): 73–83. [here]

Reid, Louis Arnaud. ‘Susanne Langer and Beyond’. British Journal of Aesthetics 5, no. 4 (1965): 357–67. [here]

Reimer, Bennett. ‘Langer on the Arts as Cognitive’. Philosophy of Music Education Review 1, no. 1 (1 April 1993): 44–60. [here]

Richter, Cornelia. ‘The Body of Susanne K. Langer’s Mind’. In Embodiment in Cognition and Culture, edited by John Michael Krois, 107–25. Amsterdam: John Benjamins, 2007. [print copy- here]

Richter, Cornelia, ed., Naturalisierung Des Geistes Und Symbolisierung Des Fühlens: Susanne K. Langer Im Gespräch Der Forschung. Marburg: Tectum-Verlag, 2008.

Robinson, J. Deeper Than Reason: Emotion and its Role in Literature, Music, and Art, Oxford: Clarendon Press, 2005. [here]

Sargeant, Winthrop. ‘Philosopher in a New Key’. New Yorker, 3 December 1960. [here]

Sauer, Martina. ‘Abstract – Affective – Multimodal: Interaction between Medium and Perception of Moving Images from the Viewpoint of Cassirer’s, Langer’s and Krois’ Embodiment Theories’, in: Multimodality: The Sensually Organized Potential of Artistic Works, edited by Martina Sauer and Christiane Wagner, 25—46 [special issue, Art Style 10, 1, 2022]: DOI: 10.5281/zenodo.7020486

Sauer, Martina. (2016, German version of the former) Abstrakt – Affektiv – Multimodal. Zur Verarbeitung von Bewegtbildern im Anschluss an Cassirer, Langer und Krois, in: Bildkörper. Zum Verhältnis von Bildtechnologien und Embodiment, hg. v. Lars Chr. Grabbe, Patrick Rupert-Kruse und Norbert M. Schmitz, 46—71. Büchner: Darmstadt 2016: DOI: 10.11588/artdok.00005309

Sauer, Martina. ‘Ikonologie und formale Ästhetik: eine neue Einheit. Ein Beitrag zur aktuellen Debatte in Kunstwissenschaft und Kunstphilosophie im Anschluss an die (Bild-)Akt-Theorien Susanne K. Langers und John M. Krois’. Sztuka I filozofia/Art and Philosophy 48 (2016): 12–29. [here]

Sauer, Martina. ‘Ästhetik und Pragmatismus. Zur funktionalen Relevanz einer nicht-diskursiven Formauffassung bei Cassirer, Langer und Krois’, in: IMAGE 20, 2014: 49—69: DOI: 10.11588/artdok.00003196

Saxena, Sushil. Hindustani Sangeet and a Philosopher of Art: Music, Rhythm, and Kathak Dance Vis-À-Vis Aesthetics of Susanne K. Langer. New Delhi: D. K. Printworld, 2001. [here]

Schaper, Eva. ‘The Art Symbol’. British Journal of Aesthetics 4, no. 3 (1 July 1964): 228–39. [here]

Scholz, Bernhard F. ‘Discourse and Intuition in Susanne Langer’s Aesthetics of Literature’. Journal of Aesthetics and Art Criticism 31, no. 2 (1 December 1972): 215–26. [here]

Schultz, William. Cassirer and Langer on Myth: An Introduction. London: Routledge, 2000. [print copy-here]

Sebeok, Thomas. ‘Ernst Cassirer, Jacques Maritain, and Susanne Langer’. In Semiotics, edited by John Deeley, 389–97. Lanham: University Press of America, 1990. [here]

Sebeok, Thomas. ‘From Vico to Cassirer to Langer’. In Vico and Anglo-American Science: Philosophy and Writing, edited by Marcel Danesi, 159–70. Berlin: De Gruyter, 1995. [here]

Shelley, Cameron. ‘Consciousness, Symbols and Aesthetics: A Just-so Story and Its Implications in Susanne Langer’s Mind: An Essay on Human Feeling’. Philosophical Psychology 11, no. 1 (1 March 1998): 45–66. [here]

Shiner, Roger A. ‘Langer, Suzanne Katherina Knauth (1895–1985)’. In The Dictionary of Modern American Philosophers, edited by John R. Shook, 1412–1416. Bristol: Thoemmes Continuum, 2005. [here]

Slattery, Mary Francis. ‘Looking Again at Susanne K Langer’s Expressionism’. British Journal of Aesthetics 27, no. 3 (20 June 1987): 247–58. [here]

Stebbing, L. Susan. ‘Review of: An Introduction to Symbolic Logic by Susanne K Langer and The Principles of Mathematics by Bertrand Russell’. Philosophy 13, no. 52 (1 October 1938): 481–3. [here]

Stodelle, Ernestine. ‘A Dancer’s Philosopher: Suzanne K. Langer’. Dance Observer (1963), pp. 69– 70.

van der Schoot, Albert. ‘Kivy and Langer on Expressiveness in Music’. Sztuka I Filozofia/Art and Philosophy 48 (2016): 39–45. [here]

van der Tuin, Iris. ‘Bergson before Bergsonism: Traversing ‘Bergson’s Failing’ in Susanne K. Langer’s Philosophy of Art’. Journal of French and Francophone Philosophy 24, no. 2 (1 December 2016): 176–202. [here]

van Roo, William A. ‘Symbol According to Cassirer and Langer, Part II: Langer’s Theory of Art’. Gregorianum 53 (1972): 615–77. [here]

Varela, Charles, and Lawrence Ferrara. ‘The Nagel Critique and Langer’s Critical Response’. Journal for the Anthropological Study of Human Movement 2, no. 2 (1982): 99–111.

Weber, Andreas. ‘Feeling the Signs: The Origins of Meaning in the Biological Philosophy of Susanne K Langer and Hans Jonas’. Sign Systems Studies 30, no. 1 (2002): 183–99. [here]

Wehr, Wesley. ‘Elizabeth Bishop & Suzanne K. Langer: A Conversation’. Harvard Review 3 (1 January 1993): 128–30. [here]

Weitz, Morris. ‘Review of: Mind: An Essay on Human Feeling I’. Philosophical Review 78, no. 4 (1969): 525. [here]

Welsh, Paul. ‘Discursive and Presentational Symbols’. Mind, New Series, 64, no. 254 (1 April 1955): 181–99. [here]

Whyte, L. L. ‘Review of: Philosophy in a New Key’. British Journal for the Philosophy of Science 2, no. 5 (1 May 1951): 68–71. [here]

Wollheim, Richard. ‘Review of: Feeling and Form’. Burlington Magazine 97, no. 633 (1 December 1955): 400–1. [here]

Wollheim, Richard. ‘Review of: Problems of Art’. New Statesman and Nation, 15 December 1957.

Yob, Iris M. ‘The Form of Feeling’. Philosophy of Music Education Review 1, no. 1 (1 April 1993): 18–32. [here]

Zuidgeest, Marja. ‘Antropomorfisme En Wetenschap: Kritische Beschouwingen van Enkele Aspecten van Susanne Langer’s Theorie van het Gevoel’ (Anthropomorphism and Science: Critical Observations on Some Aspects of Susanne Langer’s Theory of Feeling). Algemeen Nederlands Tijdschrift Voor Wijsbegeerte 71, no. 3 (July 1979): 173–88.